|
KURT GELLERSTED has always
enjoyed the art of spinning several different musical plates. A native
of Chicago, he spent his youth performing in the usual run of High
School and Community theatre productions. But Kurt also spent his teen
years playing drums, writing songs and singing in punk/art-rock bands
like Birdfeeder and Plane Rides for Five Minute Drives. They played
all-ages shows alongside area legends Cap’n Jazz, Friction, Gauge, and
Braid. Several infamous hand-pressed cassette tapes were recorded and
distributed from the garage-turned-practice space in his parents’
suburban home.
Kurt then
pursued a Degree in Vocal Performance and Composition at Luther College
in Decorah, Iowa, world-renown for its focus on Choral music. Between
traditional orchestration and theory classes, Kurt would jot down lyric
ideas and play acoustic guitar in his dorm room. While on summer break
in 1997, he hand-recorded his first solo album on a 4-track recorder, a
folksy/rock record called the "The Cat Hair Chair".
Then it was on
to NYU’s Steinhardt School of Education for Kurt’s Graduate studies in
Music Composition where he studied with Dr. Justin Dello Joio. In the
spring of 2002, NYU’s University Singers, a 23-person orchestra and NYU
Faculty soloists premiered Kurt's 8-movement "Requiem". Upon hearing the
piece, Luther College Choir Director Weston Noble hailed, "Bravo! A
gifted orchestrator. I was drawn to it." The "Requiem" world premiere
recording is available on CD and has since been featured on NPR's "Theme
and Variations".
Since receiving
his M.F.A. in Music Composition in May 2002, Kurt has premiered two new
chamber works at Merkin Concert Hall, recorded his second self-released
pop/rock record "Scribble Scrabble", interned for The Lion Kings’ Music
Director/Principal Conductor Joseph Church and embarked on a 10-city
tour with avant-garde Cellist/Composer Erik Friedlander. His work with
Friedlander began in late 2002 when Kurt was hired to assist Erik while
he scored a four-part PBS documentary. Kurt has since assisted Erik’s
work on jingles, recording sessions and transcription projects.
In March 2005,
Kurt landed an internship at Man Made Music, a busy post-production
house in Midtown. The experience tuned his ear to the very specific
world of writing for television. His underscoring work can be heard on
NBC’s “Martha Stewart Show”, BRAVO’s “Kathy Griffin: My Life on the
D-List”, and ABC’s “The One”. In June of 2007, Kurt produced the theme
song for a pilot episode of “Family Values” starring The Daily Show’s
Rob Riggle. Julia Murney (Wicked, Wild Party) came in to sing vocals at
Gellersted’s Brooklyn studio. The project screened as part of the 2007
NY Television Festival. In July of 2007, his first major theme song
aired with the new season of “Bizarre Foods” on the Travel Channel.
Since 2002,
Kurt has been collaborating with bookwriter Will Brumley and
compeer/lyricist Brooke Fox on several musical theatre projects. Most
recently, he wrote music for Williamsburg! The Musical which sold out
four of its five show run at the Village Theatre as part of the 2007 NY
International Fringe Festival. Frank Scheck of the NYPost hailed the
shows “Witty Songs” and the show took home a Fringe NYC Overall
Excellence Award for Music and Lyrics.
AWARDS AND ACHIEVEMENTS:
2007 FringeNYC
Overall Excellence Award – Music & Lyrics for “Williamsburg! The
Musical”
ASCAPlus Award,
2004, 2005, 2006, 2007, 2008
NYU Graduate
Student Composer of the Year Award, 2002
The Weston
Noble Vocal Music Scholarship, 1996-2000
**********
ABOUT BROOKE
FOX
|
The record first took shape in Fox’s
Williamsburg, Brooklyn basement studio with husband and fellow
musician Kurt Gellersted. Of the 10 new songs, almost half of
them are collaborations, marking a shift in Fox’s once-private
universe of writing. The result is a more worldly, mature and
tempered set of songs, where the prevailing theme is the “rush
of falling in love”. The album opens with “Cinematic”, a grand,
pulsating rock anthem and homage to the “movie-moments” in
everyday life. Beautifully soaked in nostalgia, “Breathe The
Same Air” is a waltzy lullaby, detailing the discovery of a
lover’s well-preserved childhood room.
On first glance, the strikingly pale Fox, glowing under the
stage lights, is simply fair-skinned but her lilywhite features
are actually albinism, a rare genetic trait that also causes
legal blindness and sensitivity to light. Brooke has spoken to
schools and community groups about albinism and made major press
appearances (Fox News, CNN, KROQ) on behalf of NOAH (The
National Organization of Albinism and Hypopigmentation) to raise
awareness in the face of the motion picture release of The Da
Vinci Code which marks the 68th “Evil Albino” character to
appear in cinema since 1960.
“’Change Me’…is the ghost of
Christina Olsen (of Andrew Wyeth’s painting “Christina’s World”)
speaking through me”, says Fox. After researching the
back-story, Fox discovered Christina’s incredible courage though
her body was slowly degenerating from an unknown illness.
Inspired on countless levels, the song rings with dignity and
character. “Christina was the one degree of separation I needed
to finally write and sing about my own disability for the first
time”.
Remarkably, little 5-year-old Brooke seemed to thrive in the
bright flood of the spotlight, performing through her childhood
years in Northern California. Fox’s obsession with song craft
was founded early. She began creating her own music in front of
the Fox family piano at the age of eight and went on to earn her
Bachelor’s Degree in Songwriting at Boston’s Berklee College of
Music. She then relocated to Nashville after graduation and
recorded her first album “NightLight” in 1999 before heading to
New York in 2000.
AWARDS AND ACHIEVEMENTS:
06' Just Plain
Folks Award: #3 "Female Singer / Songwriter Album",
CDBABY #53 Best Seller: 8/05, ‘04-‘05-'06
ASCAPlus Award, ‘04 Great American Song Contest: Honor Award,
‘04 Just Plain Folks Award: “Best
Vocal Jazz Song”, ‘03 Billboard Song Contest: Honorable Mention
(two songs), Lilith Fair Acoustic Talent Search: Nashville
Finalist, Berklee Songwriting Achievement Award. |
|